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Makoto OFUNE

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Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018
Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018
Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018
Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018
Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018
Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018
Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018
Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018
Open a larger version of the following image in a popup: Makoto OFUNE, VOID ο, 2012 – 2018

Makoto OFUNE

VOID ο, 2012 – 2018
Powdered mineral pigments on hemp paper, mounted on wood
ø 136 cm
ø 53 ½ in

Distance of surface from wall when installed:
Centre: 22 cm (8 ⅝ in)
Angle: 12°
Images courtesy of Olivier Malingue Ltd

Further images

  • (View a larger image of thumbnail 1 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
  • (View a larger image of thumbnail 2 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
  • (View a larger image of thumbnail 3 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
  • (View a larger image of thumbnail 4 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
  • (View a larger image of thumbnail 5 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
  • (View a larger image of thumbnail 6 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
  • (View a larger image of thumbnail 7 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
  • (View a larger image of thumbnail 8 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
  • (View a larger image of thumbnail 9 ) Makoto OFUNE, Reflection field - Welded Tuff, 2015
Makoto Ofune’s practice combines traditional Japanese painting techniques with an abstract vocabulary, revealing the artist's quest for eternity and harmony. By creating an atmosphere that invites meditation and awareness, Ofune encourages the viewer to consider his works as elements able to transcend their status of objects and project multiple and different spatial dimensions. In the artist's richly textured works, layers of powdered mineral pigments known as 'iwa enogu' are applied to Japanese hemp paper with 'nikawa', an animal gelatin glue. These stones are crushed by hand to a fine powder, and the resulting pigments enhance the vibrancy and depth of the original raw materials. These techniques are usually seen in 'nihon-ga' (traditional Japanese painting), but Ofune uses these jewel-toned pigments in a contemporary manner, creating atmospheric pieces that are both meditative and timeless. Exploring transient modes of existence and ethereal elements, his works appear connected to the metamorphic flow of the human state and the natural world: the seasons, light, weather and time. Heavily influenced by spirituality, but without a connection to any particular religion, Ofune seeks to "connect with the infinite" through his practice, placing his works in sites of cultural and spiritual significance. This has been seen in his Void series, where large-scale circular pieces have been installed at shrines and in churches. By acknowledging this harmony between his artworks and spirituality, he bridges the gap between the tangible and the intangible. Ofune's practice plays with opposing themes: the physical and the spiritual, darkness and light, movement and stillness. However his true mastery lies not only in his technical skill, but also in the "textural atmosphere" he creates, which encourages the viewer to find harmony and wholeness. BIOGRAPHY & COLLECTIONS Makoto Ofune was born in Osaka, Japan in 1977. In 2000, he graduated from the Kyoto University of Education, Department of Fine Arts with a major in Japanese-style painting. In 2016, Ofune was awarded the Fellowship of Overseas Study Programme for Artists by the Japanese Government’s Agency for Cultural Affairs. Ofune currently lives and works in Shiga prefecture, near Kyoto, Japan. Ofune has been the subject of numerous solo exhibitions, galleries include: Yoshii Gallery, New York; Gallery Ami, Osaka; Galerie Akié Arichi, Paris; as well as group shows including at: Neues Museum, Nuremberg; Gallery Koyanagi, Tokyo; and La Maison de la culture du Japon à Paris, Paris. Ofune has also shown work at several shrines in Japan, including Shimogamo-jinja Shinto Shrine, Kyoto, and Kamigamo-jinja Shinto Shrine, Kyoto.
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Provenance

Artist's studio.

Exhibitions

London, Olivier Malingue, Makoto Ofune, 7th February – 17th July 2020, reproduced in colour pp. 29, 30–31.


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+44 (0)20 3621 2730

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